Kudumbasthan Movie Review: Financial follies meet family fun in uneven but amusing comedy
Kudumbasthan Movie Review: Critics Rating: 3.5 stars, click to give your rating/review,For all its detours, Kudumbasthan works best when it sticks to basics — much like its protagonist, w
The Times of India,
TNN, Jan 23, 2025, 09.57 PM ISTCritic's Rating: 3.5/5Kudumbasthan Movie Synopsis:
Kudumbasthan Movie Review: Money has a way of turning family comedies into pressure cookers, and Kudumbasthan drops its hero — a freshly-jobless graphic designer — right into a mess of mounting debts, status anxiety, and a pregnancy announcement. The result? A sloppy but amusing chronicle of middle-class chaos that proves the creators of YouTube channel Nakkalites can stretch their comedy beyond bite-sized sketches — even if they sometimes strain in the process.
The film has a familiar setup — an intercaste marriage between Naveen (Manikandan) and Vennila (Saanve Megghana) that has both families spitting curses at the marriage registrar. But this isn’t your typical star-crossed lovers saga. Instead, it's a launchpad into a year-long series of financial face-plants and ego bruises, starting with Naveen's spectacular workplace meltdown. After slapping a jewellery company representative during a botched marketing pitch (a scene that plays out like a corporate comedy of errors), our hero finds himself unemployed, with his friend adding insult to injury by slapping their boss for good measure.
The timing couldn’t be worse. Vennila’s got an IAS dream in one hand and a positive pregnancy test in the other, while Naveen’s bank account is empty. What follows is a parade of increasingly desperate schemes. Naveen starts with a modest ₹20,000 loan that somehow multiplies into a ₹3 lakh debt, leading him through a series of misadventures: a doomed bakery venture that crumbles under competition, a real estate deal that goes south faster than winter birds, and various attempts to save face in front of his status-obsessed brother-in-law Rajendran (Guru Somasundaram, stealing scenes like they’re going out of style).
Speaking of Rajendran – this chief engineer character is the film’s secret weapon. His interactions with Naveen crackle with the kind of class tension that makes you simultaneously cringe and cackle. Guru Somasundaram and Manikandan’s chemistry hits its peak during an ear-piercing ceremony where Naveen’s attempt to maintain status with borrowed bling backfires, creating the kind of secondhand embarrassment that lands just right.
The film excels when it’s playing in these spaces — the awkward family functions, the desperate attempts to hide unemployment, the increasingly elaborate lies that pile up like dirty laundry. There’s a hilarious sequence involving Naveen orchestrating his parents’ 60th wedding anniversary celebration through some creative manipulation of Rajendran, only to have it blow up in his face when his jobless status gets exposed in front of the entire family gathering.
But at two-and-a-half hours, the film overstays its welcome. The job-hunting sequences drag their feet, and the business ventures subplot feels more like a checklist than a coherent narrative thread. Logic takes more than a few coffee breaks — you might find yourself wondering why a skilled graphic designer can’t land another gig.
Manikandan keeps Naveen sympathetic even when he’s making decisions that would make a financial advisor weep. His performance walks the tightrope between comedy and pathos, particularly in scenes where his pride crashes head-first into reality. Guru Somasundaram nails every beat as the pompous brother-in-law, turning each appearance into an exercise in well-timed condescension. Saanve Megghana impresses with her limited role debut performance. Sundarrajan and Kudassanad Kanakam score a few laughs as Naveen’s parents.
For all its detours, Kudumbasthan works best when it sticks to basics — much like its protagonist, who discovers that family and honest work trump any get-rich-quick scheme. The film lands enough of its punchlines to keep the laughs coming.
Written by: Abhinav Subramanian